Introduction to art paper.
Paper cutting finds its origin in CHINA sometime after the
invention of
paper around the years 100 BC. Paper cutting came as a natural
extension of
leather sheet cutting and silver or copper foil cutting. We know, from
archeology excavations, that such art was already practiced
during the 5th century BC.
As
paper was highly precious in its early
days, the paper cut art first became popular in the royal
palaces and houses of nobility where it became a favorite pastime among
court
ladies. Later on paper cutting
became
immensely popular during folk festivals. By the
12-13th century and onward, paper cut art had become an integral part
of all Chinese people's daily lives and by the 14th
century the art had spread to the Middle East and Europe.
Paper cut art was used in interior
decorating, as decoration items on walls as well as in windows. It was
also used as patterns, especially for embroidery and lacquer
work.
There are two methods to realize a paper cut: scissor
cutting and knife cutting. In scissor cuttings several sheets of
rice-paper, up to seven, are layered
together. The motif is then cut with sharp, pointed scissors. Knife
cuttings are fashioned by putting several layers of rice-paper on a
relatively soft foundation. The advantage of knife paper cutting is
that
considerably more cuttings can be made in one operation than with
scissor cutting. Paper cutting used to be one of the arts and crafts
that every girl had to master and brides were once judged on their
paper cutting virtuosity. Nowadays, paper cuts are realized by
professional
artists, often men working together in workshops.
Paper cuts were thus
an
important part of Chinese arts all along the last 2000
years of the far longer history of their civilization. History shows
that along the last 6-700 years this craft has been closely associated
to
people's yearning for
decorating all aspects of their daily lives. Paper cutting became
popular because the practice is easy to master by
anybody and the instruments and materials involved are simple and
cheap and its uses in decoration remained thus popular. This is also
why the craft has not fallen into oblivion along its more than 2000
years of
history.
The paper cut art as a craft for interior
decorating has a long history.
Proofs
abound of the existence of a cutting technique well before the invention of
paper.
Leather cutting sheets have been unearthed in 1966 in
HUBEI Province from a tomb dating from the Warring
States Period, 476-422 bc. In 1952, a silver
foil cutting from the same period has been unearthed from a site in
HENAN Province (see picture 1). Those discoveries are testimony that
this art predated the invention of paper. But when exactly did the
cutting technique originate remains largely a mystery. China's early
history
is very badly known, only by the end of the nineteen nineties were
archeology studies being undertaken systematically. It is thus
expected that our knowledge of the history of the early days of the
Chinese civilization will progress rapidly and the origins of the
paper cutting technique could then eventually be revealed.

Picture 1. Silver
foil cutting dating 4th -5th century BC
History
remembers Cai LUN as the inventor of paper. The cutting arts having
been
practiced well before the invention of paper, it is assumed that paper
cutting
started just after the invention of paper some 100 years before JC. The
earliest
paper cuts that have been found so far come from the Northern
Dynasties Period (386-581 ad). They were unearthed
near the city of Turpan in XINJIANG Province. The dry and hot weather
conditions of that area are the reason of their very good
preservation. (see pictures 2, 3, 4, 5)
Picture 2.
Picture Picture 3
Picture 4
Picture 5
The paper cut art as a craft for interior
decoration
1. Used in interior decorating: windows.
The use of glass in windows is relatively
recent. The tradition in China, as in Japan, was to glue thin
rice-paper
over the overtures of the windows during Spring Festival (Chinese New
Year). Artists' paper cuts were then pasted on this rice-paper thus
offering
starkly contrasted pictures with the natural outdoor light.
2. Used
in interior decorating: walls.
In North China, people like to paste paper cuts on their walls, calling
them
“wall flowers”. In South China, people prefer to
paste them on pillars and lintels to avoid the high humidity of walls
that is a deadly enemy of paper.
3. Used
in interior decorating: ceilings.
4. Used
as lantern decoration:
Lantern festival is a traditional Chinese festival taking place in the
first month of the lunar calendar when various kinds of
lanterns are on show. Pasted on the lanterns paper cut art figures look
like
slide shows under the lamplight.
5. Used
in interior decorating: doors.
Pasted on the sides of doors, the designs represent auspicious
welcoming words or
patterns.
6. Other
uses:
While the above mentioned interior decorating uses are by far the most
popular ones, the artists' works are also sometimes used on wedding
cloth, on presents, on shoes, on pillows, on cuffs and even, believe it
or not, on
under-garments.
Instruments and material
The best quality paper for monochromatic paper cuts is the
red dyed
Xuanpaper,
a red dyed rice-paper popular all over China. Multicolor ones are
generally made out of various dyed Xuanpaper (rice-paper) or
Fenlianpaper, a silk mounted Xuanpaper.
The instruments used in paper cut art are scissors and cutters.
Scissors are
the main tool, any scissor bought from the market is suitable as long
as it is light in weight and has thin and even points and sharp blades.
The paper cutting process
It consists inf the following steps:
1. Composition:
The starting point is the drawing of the
pattern.
2. Paper cutting or engraving.
3. Mending:
Sometimes there are wrong cuts or broken
parts. In principle all paper cuts with broken parts or wrong cuts have
to be
discarded. In practice, a cut is discarded only when the broken part
is large. When the damage is small, the damaged part is cut out and
replaced with a newly cut part.
4. Preservation:
Paper cuts are pasted on a flat paper base for long term conservation.
5. Reproduction:
Paper cuts were always coming in multiples, they were indeed
reproduced without end and the best graphics were transmitted from
generation to generation down history.
About the preservation of paper cuts
Paper cuts are fragile collectibles. They should thus
be mounted with the uttermost care. Practically the only serious way to
mount one of those collectibles is to frame it behind a protective
glass. Multicolor ones should be protected from sun light in order to
avoid color fading. If you wish to preserve your collectibles for
eternity or for your grand-children, you should place them between
sheets of, acid-free, white paper and place them on a horizontal
support in a dry
environment and out of any light source.
Characteristics of the paper cut art..
1. Every part of a paper cut must be
connected, its picture is formed of connected lines. ZHANG Yongzhou, a
well-known artisan from YANGZHOU, summarized the cutting of lines in
five words: circular, sharp, square, deficient and thin. It means that
the lines must be as round as a full moon, as sharp as a fine blade, as
square as a brick as deficient as saw-teeth and as thin as human hair.
In the process of cutting out the negative of the pattern with scissors
or cutters, all lines of the remaining positive must remain connected
to each other. Being considered as collectibles, if some lines in the
positive are cut off, the cut has to be discarded by the contemporary
artist.
2. The design of paper cuts is made of black and white lines
and
forms. They
are thus in essence two dimensional visual representations for
decoration use.
3. Monochromatic or multi-chromatic
Themes
Folk paper cut art has a wide range of themes that can be divided
into
the following categories:
1. Daily life scenes:
Paper cutting was mostly realized by women in the
countryside so the themes are naturally reflecting their everyday
lives: raising children, chicken
and pigs, herding sheep and cattle, driving mule carts, nursing babies,
executing tasks in the fields, observing the richness of the plants,
fruits, birds and animals in nature.
2. Hopes and wishes:
Having a bumper
harvest, having a surplus every year, golden pheasant standing erect,
carp
leaping through the dragon gate, ...
3. Legends and theater characters:
Artists usually pick their themes
from the legends of their history or from the popular dramas in their
native areas. In ZHEJIANG Province, the home of Shaoxing Opera, people
like to depict opera characters as LIANG Shanbo, The White Snake, A
dream of red mansion, ... In BEIJING the painted faces of Beijing Opera
are a main theme.
BIBLIOGRAPHY
1. "The
art of Chinese folk paper cut" ZHANG Shuxian. CHINA TODAY PRESS
2. "The folk arts" in "Complete works of fine arts" LI
Cunsong and WANG
Shucun. PEOPLE's FINE ARTS PUBLISHING HOUSE.
3.
"An album of Northwest paper cut" AI Qing and JIANG Feng. SHANGHAI
CHENGUANG PUBLISHING COMPANY.
4.
"Chinese folk paper cuts" ZHANG Daoyi. JINLING CALLIGRAPHY AND PAINTING
PRESS (Chinese edition)
5. "YAN'AN paper cuts" JIANG Feng and JIN Zhilin. PEOPLE's
FINE ARTS
PUBLISHING HOUSE (Chinese edition)
6. "Methods and techniques of paper cutting and engraving" CI
Xu
(Chinese edition)
7. "Folk paper cuts from SHANDONG Province" SHANDONG POPULAR
ARTS
CENTER. (Chinese edition)
8. "Chinese folk paper cuts" PEOPLE's FINE ARTS PUBLISHING
HOUSE.
(Chinese edition)
9. "Let a hundred flowers bloom" JIANGSU LITERATURE AND ARTS
PRESS.
(Chinese edition)
The contemporary paper cut art.
I believe that the paper cut technique offers a
rich
avenue for
all to express themselves and I wish that paper cut art would be
adopted
largely as a new mode of graphic expression. The inescapable rigor and
focus that are necessary to express oneself in this art are indeed the
greatest richness that can be bestowed upon an individual.
What better testimony of this richness than a rich collection of modern
paper cut art works for interior decorating?
Or as Beatrice
Coron writes: "Take a piece of paper: a perfect support for
an image. Cut or draw or paint or print or use all techniques to
produce an image. Then fold the paper. You now have a book, or a
sculpture, or an animation. Paper includes support, movement,
interaction.."
A stark differentiation distinguishes the contemporary works realized
in the West and those that are been realized in China.
In one word Westerners generally adapt all the techniques they
experiment to the
spirit of modernity that sustains contemporary western culture. In
contrast Chinese culture remains still largely dominated by rural
life.
This distinction in terms of the cultural environment where the
contemporary
paper cut art is practiced, I believe, is exacerbated
by the fact that the creators, the creatives, in the West are largely
educated people while in China the craft is mostly exercised by rural
folks. Chinese urbanites are indeed rejecting the craft, for, it
reflects on
the traditions of the country while they are engaged in a wild
expansion of modernity in the cities. This is a generalization for
sure. As in Europe and the States, at a given stage of
industrialization when parents yearn for a higher education for their
kids some of those kids feel the urge to make a cultural u-turn to
rediscover their roots and the traditions of their ancestors. The same
is starting to appear in the cities of China: local cuisines start to
be popular in Beijing, Beijing Opera makes a come-back and the price of
paper cuts. when available, are shooting to the roof. A further stage
of societal evolution will draw Chinese creative urbanites to
rediscover the
paper cutting craft and inspired by Western creators they shall engage
in
modern style creations...
I spent a lot of time trying to sift the stuff of interest
being crafted nowadays from the abysmal mass of insignificance that
litters the web. I'm
happy to share the links to the sites I find of interest on the
following page modern
paper cuts.
Enjoy the surfing on the waves of this art of paper cutting.
I always
appreciate a comment on our forum. This helps me to eventually correct
my presentation.
Laodan