ARTSENSE Acrylics Collection. n# 12.
Nature's urge for more complexity.
Acrylic on paper glued on hard wooden panel. Size: 17" x
22" (43 x 59 cm)
I'm very much interested in the sciences of complexity, a
multidimensional approach towards knowledge. To be more accurate I
should have written that it is a multidisciplinary collaboration in
pursuit of understanding the common themes that arise in natural,
artificial, and social systems and that the Santa Fe Institute (SFI) is
an institution that was created as a new kind of scientific research
community devoted to those sciences of complexity.
To me the most intriguing aspect of knowledge is how life emerged. This
question has been at the center of the philosophical debate of our
Western civilization. Aristotle posited the question in the following
terms: (from my book Artsense)
"In all change, Aristotle says that neither the matter (to
hulê)
nor the form (to eidos) comes into existence (Metaphysics 12.3; 1069b
35). His point is that for something to change it must already be
something, in which case the matter of the process of change pre-exists
its change. In other words, that which changes, the matter, must
already exist for it to be capable of change. The form is that into
which the matter changes; as such, it likewise must already exist for
there to be change. (That by which change occurs is the immediate
mover.) Because change presupposes matter and form (and an immediate
mover), the process of change will regress to infinity, because every
change presupposes matter and form, which pre-exist the process of
change. It follows that there must be a terminal point in the process
of change: "Therefore there must be a stop" (anankê
dê
stênai) (Metaphysics 12.3; 1070a 4). But this is not a
temporal
terminal point, because change or motion is eternal; rather it is a
logical one. Aristotle holds it as an axiom that there cannot be an
infinite regress of causes and effects, movers and the moved. That
which is the logical starting point of infinite change must be an
unchanging substance, causing change but not being subject to change."
Arriving at that point of his argument, Aristotle and in his footsteps
all Western philosophers had only one recourse: god as the ultimate
mover. But I never could make myself to follow this road. I always
thought that the principle of change as being our reality at work would
one day open for us a better avenue of understanding. At long last, I
discovered the sciences of complexity that are opening a window on this
understanding with the concept of emergence.
When the idea of the emergence of unicellular organisms is established,
how to explain the evolution towards more complexity, towards we,
humans?
It seems that starting with the emergence of uni-cellular organisms
also called prokaryotes a code, the genetic code, has been inscribed in
our dna, a chemical substrate that contains the order to incessantly
search for more complexity. It seems as if life, the conscience of its
preservation has been conditioned since the start by this need to go
further, to stretch the limits. That is the idea that I was thinking
about when painting "Nature's urge for more complexity".